Listening to the Anthropocene: A Queda do Céu. A. Rabello-Mestre y F. Otondo. Computer Music Journal, 46:1/2, 25-39 (2022) 

The Soundlapse project: exploring spatiotemporal features of wetland soundscapes, F. Otondo and A. Mestre. Leonardo (2022). – WoS 

Characterization of sonic events present in natural-urban hybrid habitats using UMAP and SEDnet: The case of the urban wetlands, V. Poblete, D Espejo, V. Vargas, F. Otondo & P. Huijse. Applied Science, 11, 8175 (2021) – WoS

High-performance tools to generate and visualize a sonic time-lapse tool. D. Espejo, V. Poblete, P. Hujse and F. Otondo. Proceedings of the 2021 International Computer Music Conference, Santiago, Chile, pp.398-401 (2021). – SCOPUS

Creative Dispositions: Teaching for Creativity in Engineering Education, A. Mestre and F. Otondo. Int. J. of Eng. Education, 37 (4), 915-924 (2021). – WoS

Using a sonic time-lapse method as a compositional tool, F. Otondo and V. Poblete. Organised Sound, 25 (2), 198-204 (2020). – WoS

Valdivia’s wetland soundscape, F. Otondo. Leonardo Music Journal, 28, 99 (2018). – WoS

Listening to wetland soundscapes, F. Otondo. Leonardo Music Journal, 28, 50-52 (2018). – WoS

Paisajes sonoros reales e imaginarios, F. Otondo. Resonancias, 22 (42), 131-141 (2018). – WoS

Context-based composition in an interdisciplinary collaborative framework, F. Otondo. Organised Sound, 22 (1), 93-100 (2017). – WoS